Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY

On February 25 & 26, 2012, Greenwich House Music School (GHMS) and North River Music present Ne(x)tworks in Music Without Dance, a festival focusing on recent and historical musical works originally created for performance with choreographed movement. Programed and performed by Ne(x)tworks (GHMS’s Ensemble-In-Residence), Music Without Dance’s two concert programs include music by several ensemble member composers as well as guests such as John King, Jon Gibson, Annea Lockwood, and David Behrman. On the afternoon of the 26th, Ne(x)tworks and North River Music host a panel event with several featured composers and a number of local choreographers including Yoshiko Chuma, among others. Topics for discussion include the evolving dialectic between contemporary dance and music communities, working processes and collaborative models, and how music functions in the context of dance or theater versus the effect of music in concert format.

TILT Brass joins the fray as a performing ensemble during the 3rd Annual New Music Bake Sale at Roulette new Brooklyn home. Works on the 20 minute program (tentatively) include Chris McIntyre quartet music [2009], selections from Mauricio Kagel's Ten Marches (to miss the victory) [1978], and one other surprise. Hope to see you there!
New Music Bake Sale Website


Ne(x)tworks performs John Cage's SongBooks for opening night of the prestigious MaerzMusik festival in Berlin, Germany.
I've been well trained in the art of the sliding trombone, with a burgeoning interest in synthesizers. Like many New York freelancers, the array of musical realms I've participated in looks a little far-fetched on screen: Haitian Kompa, symphony orchestra, Salsa, cathedral brass choir, 'Free Jazz', Top 40 dance bands, 'Straight-ahead Jazz', and maybe the least likely of them all, the 'Post-Cagean Experimental Tradition.' The latter is the umbrella under which the locus of my passions lie and where much of my performing takes place. [CJM, 101108]