Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
In preparation to record this work in May for New World Records, a truly stellar group of musicans gather for a workshop performance. Commissioned by the Kitchen for the House Blend, CJM played on the premiere of Lapidation.
Personnel:
Anthony Coleman - composition & conductor
Steve Gosling - piano
Cornelius Dufallo - violin
Dan Barrett - cello
Sean Conly - bass
Marty Ehrlich - tenor sax
Doug Wieselman - E flat clarinet
CJ Camerieri - trumpet
Chris McIntyre - trombone
Kevin Norton - percussion
Jim Pugliese - percussion
Composer and trombonist Christopher McIntyre has been developing a number of large ensemble projects in the past few years, both as a leader and collaborator. Several of them will fill Roulette's stage during this event, including TILT Brass Band, Lotet and Ne(x)tworks. A thread that carries through each group is both technical and spiritual: mapping the space between composition and improvisation. In the process of making pieces for these bands, an immersive and colorful aesthetic has emerged in McIntyre's work. Tonight's program offers a full evening of this repertoire, as well as new works commissioned by Roulette with support from the Jerome Foundation and performed by an impressive array of new music’s heaviest-hitters.
The first half of the performance features scores written for the composer/performer band Ne(x)tworks, including the premiere of Herkimer [string_sets], a set of dynamic "rhythmicles" for strings and electronics.
Ne(x)tworks is Joan La Barbara (voice), Stephen Gosling (synthesizer), Kenji Bunch (viola), Yves Dharamraj (cello), Cornelius Dufallo & Ariana Kim (violins), Shelley Burgon (harp & electronics), Miguel Frasconi (glass instruments & electronics) Peter Evans (trumpet) and McIntyre (trombone & director).
Members of the McIntyre-led ensembles TILT Brass Band and Lotet, along with some very special guests, join forces on the second half to perform a set of isomorphic & abstracted musical structures. In addition to expanded works from the Lotet repertoire, "LoTILT's" set includes Metaxis, an electro-acoustic environment that uses a hybrid score of cellular and strategic notation. Grouped in pairs, the instrumentation on hand fuses the timbral bliss of TILT with the low frequency undulations of Lotet's live-electronics.
With: Nate Wooley & Peter Evans (trumpet), Curtis Hasselbring & Steve Swell (trombone), Ron Caswell & Joe Exely (tuba), Charles Waters (bass clarinet), Colin Stetson (bass saxophone), Kato Hideki (bass & live-electronics), John King (live-electronics & guitar), Ryan Sawyer & Mick Rossi (percussion), and McIntyre (trombone & director).
Ne(x)tworks reconvenes at IPR for 2nd Hearing of Kenji Bunch's opera Woman in the Dunes. Read Alex Ross' New Yorker review of our April performance.
Part of IPR's 2nd Hearings Festival, which gives composers a chance to retry works that haven't been performed since their premiere. CJM presents two Ne(x)tworks pieces: VOIDS (2003), featuring the uncanny trompette of Peter Evans, and silOM (2006), a site-specific sound installation created for the groups residency SILOMUSIC. In additon, members of the 7X7 Trombone Band will perform material from Sundown, the critically acclaimed collaboration with choreographer Yoshiko Chuma that premiered at IPR in late July.
PERFORMERSMembers of the CJM's 7X7 Trombone Band
Jacob Garchik, Curtis Hasselbring, Richard Marriott, Stephen Swell, Peter Zummo - trombonePeter Evans - trumpet
Chris McIntyre - trombone, electronics, and compositions
PROGRAMsilOM [March 2006]
site-specific sound installation
stuplimity no.2 (music for Sundown) [July 2006]folio of collaborative pieces for five or more trombones
VOIDS [June 2003]for trumpet, trombone and sound
Quarks Swim Free is E#'s algorithmic piece for Orchestra Carbon. For 11 or more musicians and based on prime numbers, Quarks Swim Free creates a dense primordial soup filled with high-energy collisions, gnashing grooves, and warped melodies. Quarks Swim Free premiered at the Venice Biennale in 2003. This performance will be captured by noted documentarian Bert Shapiro for his film on E#'s work.
Michael J. Schumacher and CJM reconvene as cjMjs to perform during the monthly {R}AKE series at the Williamsburg restuarant & A/V fun house known as Monkey Town.
Hocketed Brass StructuresRichard Marriott - trombone, Balinese suling, compositions, Fawzia Afzal Khan - Hindustani vocals, Rajika Puri - South Indian dance rhythms, CJM, Curtis Hasselbring & Peter Zummo - trombone, Kenny Wollesen - drums
7-hour installation performances of Sundown. Includes our 7 trombones, 7 dancers, Yoshiko's 7X7 ft. cubes, video projections, all within the urban industrial oasis of IPR's Carroll Garden's site.
SILOMUSIC: Ne(x)tworks 2006Final installment of Ne(x)tworks' residency at IPR:
Ne(x)tworks CollaboratesNe(x)tworks delves into the disparate world of open and graphic scores created after the innovations of Earle Brown and the New York School of the 1950's.
Ne(x)tworksJoan La Barbara - voice, Yves Dharamraj - cello, Cornelius Dufallo - violin, Ariana Kim - violin, Chris McIntyre - trombone
Special Guest Performers:Shelly Burgon harp/electronics, Anthony Coleman - piano, Miguel Frasconi glass instruments/electronics, Stephanie Griffin - viola, Sycil Mathai trumpet, Jane Rigler flute/electronics
6:30pm, Pre-concert Panel:
Open Scores Beyond The New York School
Moderated by CJM. Panelist's include Joan La Barbara, Anthony Coleman, Cornelius Dufallo, and Wadada Leo Smith
8:00PM Performance:
Wadada Leo Smith
In The Diaspora (2005)
Kim, Dufallo, Griffin, Dharamraj
John Zorn
Hockey (1977)
Coleman, Dufallo, McIntyre
Cornelius Cardew
Octet '61 for Jasper Johns (1962)
full ensemble
James Tenney
Swell Piece No. 2 (1971)
full ensemble
Christian Wolff
For 1,2, or 3 People
for any sound producing means (1964)
Julius Eastman
Stay On It (1973)
full ensemble
Rehearsal (5/26) and workshop performance (6/4) of CJM's new collaborative work with Yoshiko Chuma titled Sundown, which was awarded a Live Music For Dance grant.
Quarks Swim Free is E#'s latest algorithmic piece for Orchestra Carbon. For 11 musicians and based on prime numbers, Quarks Swim Free creates a dense primordial soup filled with high-energy collisions, gnashing grooves, and warped melodies. Quarks Swim Free premiered at the Venice Biennale in 2003.
E# - guitar/electronics, CJM - trombone, Rudresh Mahanthappa - alto sax, Kinan - clarine, Rachel Golub - violin, Tomas Ulrich - cello, Kevin Ray - bass, Danny Tunnick - perc, Jenny Lin - piano
Composer/guitarist David First will present Rocking Pipeline Witness Apologies to Dennis – a new drone-field work dedicated to the memory of his teacher Dennis Sandole, featuring Peter Zummo (trombone,) “Blue” Gene Tyranny (harmonically-tuned keyboards,) Christopher McIntyre (trombone) and First (guitar/laptop.)
SILOMUSIC: Ne(x)tworks 2006Ne(x)tworks residency at IPR continues:
Selections from Joan La Barbara's opera WoolfSong
Premiere of Elements (for Tenney), a commission work by CJM for 11 trombones and mixed quartet. Also featured on the program are new or revised works by Daniel Goode, Barbara Benary, and Peter Zummo, as well as the "resurrection" of Fredric Rzewski's Last Judgment (subtitled for solo trombone, or several echoing trombones not quite in unison).
Flexible Orchestra personnel:
trombones:
Monique Buzzarte
Darryl Gregory
Curtis Hasselbring
Ben Herrinigton
Kevin James
Bridget Macdonald
CJM
Steve Swell
Dave Taylor
Deborah Weisz
Peter Zummo
Barbara Benary - viola
Daniel Goode - Bflat clarinet
JD Parran - Bflat and alto clarinet, alto saxophone
Mustafa Ahmed & Chris Nappi - percussion
SILOMUSIC: Ne(x)tworks 2006
The ensemble's residency at IPR continues:
Selections from Kenji Bunch's opera Woman in the Dunes
TILT makes its BAMcafé debut taking cues from many areas of compositional thought. The evening includes Anthony Coleman's Set Into Motion and TILT member Chris McIntyre's written and improvised hybrid work Stitch No.2 (both created for the ensemble). Set Into Motion is "a fantasy on associations with brass instruments" that puts Gil Evans with Gustav Mahler with ongo (from the Central African Republic). Also on the program is Swell Piece and Swell Piece No. 2 from legendary composer James Tenney's seminal late 60's/early 70's process work Postal Pieces. Light Over Water, a little-known early work by composer John Adams is fashioned into a TILT-specific realization from manuscript sketches and features Anthony Coleman and Stephen Gosling on keyboards.
Greg Evans (cond.); CJ Camerieri, Taylor Haskins, Charlie Porter (trumpet); John Clarke, Ann Ellsworth (horn); Joe Fiedler, Chris McIntyre (trombone), Mike Boschen (bass trombone); Andrew Bove (tuba); Chris Nappi (perc.); Anthony Coleman, Stephen Gosling (synth)
SILOMUSIC: Ne(x)tworks 2006
Ne(x)tworks embarks on a season-long residency at the new Brooklyn home of IPR in Carrol Gardens, featuring a different program each month,
New and revised works for the group by violinist/composer Cornelius Dufallo and CJM, including a collaborative work that features a multi-channel sound installation by McIntyre within which Dufallo presents a new ensemble work.
The small-band version of GSBB gathers in the 'Burg for a Mardi Gras hang.
Charles Waters - clarinet, alto & soprano sax, Sabir Mateen - clarinet, tenor sax, CJM - trombone, Ron Caswell - tuba, Ryan Sawyer - drums
A much anticipated second outing for McIntyre's low frequency acoustelectric ensemble LOTET, kicking off BAMcafÈ's month-long series called Fort Greene Scene [CJM is indeed a new FG constituent!]. McIntyre's compositions for the group apply its diverse, bass-heavy ensemble colors to canvas' of pulsing and visceral music from the bottom up. CJM has generated an entirely new repertoire for this group of hyper-talented New York musicians, ranging in style from propulsive groove charts · la Big Fun-era Miles, to graphic score and improvised soundscapes.
Andrew Barker (cello, percussion), Kato Hideki (electric bass, EH bass synth), Raz Mesinai (percussion, electronics), Marcus Rojas (tuba), and Charles Waters (bass clarinet).
CWQ revisits Chroma Colossus, a 13 movement musical transliteration of author Colson Whitehead's book Colossus of New York. In Waters' words, "The suite mixes cinematic interludes, antique jazz and hard swinging free bop to create a musical soundscape of the city."
Charles Waters (alto sax/clarinet), CJM (trombone), George Rush (bass), Andrew Barker (drum kit).
TILT convenes at Tonic in its full-blown 10-piece configuration for an evening of new and challenging works. The program includes premieres from New York Noise pioneer Anthony Coleman (Set Into Motion) and co-leader Chris McIntyre (Stitch No.2), a dynamic comprovisational piece written for the group by TILT’s acclaimed percussionist Kevin Norton (Folk Medicine), and Mr. Coleman’s a tone? a note? anto-e?, a “gutbucket free reading of some moments out of Iannis Xenakis' great work for Piano and Brass Instruments, Eonta,” featuring AC on piano.
2005 Fall For Dance Festival
City Center, NYC
Repeat performance of Chuma's 2005 River To River Festival site-determined intermedia work 7x7x7x7x7, featuring CJM's trombone septet score Stuplimity No.1.
TILT plays classic American maverick Carl Ruggles's Angels and an improvisation based on various bits of Edgar Varese's music. Part of an entire program of Ruggles and Varese organized by Whitney curator Limor Tomer.
Performance artsit Michael Portnoy folds a 5-piece version of the 7X7 trombonophiles for this avant parade traveling down Grand Street. Participants range from visual artists, choreographers, Hungry March Band, and many others.
Joining 111 other instrumentalists, 3 electronic musicians, and 15 dancers to perform the Cunningham/Cage/Tudor work Ocean.
Curated by CJM, Kitchen House Blend revisits three pieces from its repertoire of commissioned works created since 2000. A "grand finale" performance of this stellar group of 10 NYC musicans, the evening includes works by Kitty Brazelton, Matthew Shipp, and Lee Hyla.