Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
American Composers Orchestra
DiMenna Center for Classical Music (New York, NY)
CoLABoratory Workshop
Kian Ravaei, Jordyn Davis, and Horacio Fernández
8.24.2026 10:30 AM
Featured Artists and Works:
Kian Ravaei, New Work
Jordyn Davis, New Work
Horacio Fernández, New Work
Anthony McCall
Solid Light, 1973, 2020, 2026
Sean Kelly, New York
September 11 – October 31, 2026
Sean Kelly exhibit page
"Swarm, 2026, McCall’s most recent work, premieres in the exhibition, draws on the rising significance of drones as an increasing presence in daily life. The installation is composed of two conical-light volumes that rotate slowly in opposite directions, one clockwise and the other counterclockwise, over a duration of fifteen minutes. Accompanying the mesmerizing visuals is a rich soundscape that gradually intensifies as a powerful auditory experience. The dramatic, progressive soundtrack serves as a continuation of the ongoing collaboration between McCall and Grubbs."
Swarm features site recordings of CJM on trombone.

Tuesday, October 20
Music at 6:00pm
Festival page
Free and open to the public with registration. Please don’t register multiple people under the same email address. REGISTER HERE
While admission to this event is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.
The Marginal Intersection Orchestra & Ekmeles performs large-ensemble works by Feldman and Brown, alongside a new MATA-commissioned work by Steve Long
St. Paul's Chapel, Columbia University, New York, NY
Feldman: Piano, Cello, and Three Clarinets
Brown: Available Forms I
Feldman: Intersection I
Feldman: Christian Wolff in Cambridge
Brown: Small Pieces for Large Chorus
Long: New MATA Commission
Feldman: Marginal Intersection

From June 2003 to Oct. 2019, Ne(x)tworks was a collaborative ensemble of musicians that created and interpreted work featuring a dynamic relationship between composition and improvisation. In performance and recordings, the group worked to locate pathways into various types of notation systems and interfaces, striving for a meaningful dialogue with the past, present, and future of creative music. Formed in 2003 in New York City, Ne(x)tworks extended the tradition of the performer/composer ensemble by frequently presenting full programs by its members. Its repertoire also encompassed the open scores of New York School and their European counterparts, further experiments by the composer performers of the AACM and SoHo Scene of the 1970's, the so-called Downtown composers of the 80's, and commissioned works by like-minded contemporary colleagues.
Ne(x)tworks released several recordings, including Earle Brown: Tracer on Mode Records, Ne(x)tworks Live Vol. 1: At The Stone, June 2007 and Ne(x)tworks Live Vol. 2: Music by Jon Gibson, both self-release and available at nextworks.bandcamp.com.
McIntyre was a co-founding member of Ne(x)tworks. He composed a number of mixed ensemble works for the group and was program curator from 2006 to 2010.
www.nextworksmusic.net

Ne(x)tworks performing Julius Eastman's Stay On It (1973)
Ecstatic Music Festival, Merkin Concert Hall, 2011
Photo by R Termine, NY Times