Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Heather Kravas overly merry
May 3, 4, & 5, 2024
5/3 – 7:00pm
5/4 & 5 – 2:00pm
Chocolate Factory Theater
38-33 24th Street, Long Island City
TILT Brass Kravas Band
Jen Baker, Terry Green II, Sam Kulik, Chris McIntyre – trombone; Kavi McIntyre – trumpet; Ryan Sawyer, Dennis Sullivan – perc.
Drawing by Valentina Starkie, inspired by Remy Charlip
Huang Ruo, composer
David Henry Hwang, librettist
Carolyn Kuan, conductor
Chay Yew, director
Sunday, May 12, 2024 – Performance #1, 3pm
Tuesday, May 14, 2024 – Performance #2, 7pm
Thursday, May 16, 2024 – Performance #3, 7pm
Saturday, May 18, 2024 – Performance #4, 8pm
Sunday, May 19, 2024 – Performance #5, 3pm
PAC Event Page
On October 3, 2011, Chinese-American Army Pvt. Danny Chen was found dead in a guard tower at his base in Afghanistan. Based on his story and the ensuing courts-martial of Chen’s fellow soldiers, this New York City premiere opera tells the powerful true story of a young soldier from Manhattan’s Chinatown who sought to serve his country, only to find his biggest threat was the very people who swore to protect him.
Told through the multidimensional music of Huang Ruo (M. Butterfly, Book of Mountains and Seas) with libretto by Tony and Grammy winner David Henry Hwang (M. Butterfly, Soft Power), and directed by Obie Award winner Chay Yew (Cambodian Rock Band, Sweatshop Overlord), An American Soldier is a powerful and unforgettable experience.
Co-Produced by PAC NYC, Boston Lyric Opera, and American Composers Orchestra.
The 2024 version was co-commissioned by PAC NYC and Boston Lyric Opera.
Saturday, May 18, 2024
2:00 PM to 4:00 PM
The New York Public Library for the Performing Arts
RSVP for FREE tickets
EO Event Page
PROGRAM
Talib Rasul Hakim, composer
Currents (1967)
string quartet
Four (1965)
clarinet, trumpet, trombone, piano
Music for Nine Players and Soprano Voice (1977)
soprano, alto flute, English horn, bass clarinet, horn, trombone, piano,
cello, double bass, percussion
Psalm of Akhnaten; ca. 1365-1348 B.C. (1978)
mezzo soprano, flutes, piano
Scope-Seven (1965)
piano solo
Either/Or (EO) and International Contemporary Ensemble (ICE) co-present and collaborate on a program of works by legendary Society of Black Composers co-founder Talib Rasul Hakim. Following the performance, a panel discussion featuring three MacArthur composers— Courtney Bryan, Tyshawn Sorey, and ICE AD George Lewis — and EO’s Richard Carrick and Chris McIntyre will discuss the history and ongoing impact of Hakim’s work.
Before his untimely passing, Talib Rasul Hakim (1940-88) was already becoming a widely influential composer, one who suffused his music for chamber and orchestral forces with intense deliberation, considered improvisations, dynamic rhythmic profiles, and purposeful silences. Hakim saw his compositions as more than just music: he saw music performance as the equivalent to an almost religious awakening. In the 1978 book The Black Composer Speaks, Hakim maintained, “It is hoped that whenever [my] music is performed, both performer and listener will experience some degree of inner stirring, that they will experience some philosophical, religious, political, emotional, intellectual experience.”
In this program, ICE and Either/Or present five diverse aspects of Hakim’s artistry that consider music as an encounter with the divine. The program includes performances of Psalm of Akhnaten; ca. 1365-1348 B.C. (1978), an imposing trio work that features a searching articulation of faith, mysticism, and spirituality; Currents (1967), his masterful entry to the string quartet canon; Scope-Seven (1965), an enigmatic solo piano work recently discovered within the vast holdings of the Library for the Performing Arts; Four (1965) for quartet; and Music for Nine Players and Soprano Voice (1977), which features the combined forces of ICE and Either/Or performers.
PERSONNEL
Either/Or
Richard Carrick, conductor
Jennifer Choi, violin
Jonathan Finlayson, trumpet
Pala Garcia, violin
Madison Greenstone, clarinet
Chris McIntyre, trombone
John Popham, cello
Kal Sugatski, viola
International Contemporary Ensemble
Fay Victor, mezzo-soprano
Isabel Lepanto Gleicher, flute
Nicolee Kuester, horn
Cory Smythe, piano
Clara Warnaar, percussion
Panel
Courtney Bryan, composer; Tyshawn Sorey, composer; Richard Carrick, Director, Either/Or ; Chris McIntyre, Curator, Either/Or; George Lewis, Artistic Director, ICE
Image of Mr. Hakim from the William A. Brown Collection, courtesy of the Archives & Special Collections at Columbia College Chicago
Supported by the John D. and Catherine T. MacArthur Foundation, committed to building a more just, verdant, and peaceful world. More information at macfound.org.
Made possible in part through lead support from Arlene and Larry Dunn Fund for Afrodiasporic Music and the Cheswatyr Foundation.
NATIONAL BLACK THEATRE AND THE APOLLO PRESENT
The Gathering: A Collective Sonic Ring Shout
John F. Kennedy Center Opera House
Sat. Jun. 1, 2024 7:30p.m.
Join Nona Hendryx, Abby Dobson, Toshi Reagon, Joel Thompson, Carlos Simon, Courtney Bryan, Troy Anthony and more as they take you on a sonic melodic quest to “The Gathering.” With virtual host, Mahogany L. Browne as our guide —along with the American Composers Orchestra and NEWorks Voices of Inspiration— this experience is meant to be our space to collectively center the social impact issues of our time, to awaken joy as a source of liberation and to find love as our form of possibility and resistance.
Program
Through orchestral, choral, gospel and soul choral music, this one-night-only event is the signature celebration for The Kennedy Center’s Conflux partnership with National Black Theatre (NBT) running May 26 - June 2, 2024.
The Gathering: A Collective Sonic Ring Shout will take us on a sonic quest produced by National Black Theatre & The Apollo. Taking place in the Opera House at The Kennedy Center, “The Gathering” will center the soul of Black folks and the heart of America's brilliant and bitter present.
With Creative Concept and Direction by NBT’s Executive Artistic Director, Jonathan McCrory, and featuring 80 members of the American Composers Orchestra conducted by Chelsea Tipton, II and 48 members of the NEWorks Voices of Inspiration chorale under the leadership of choirmaster Nolan Williams, Jr, this night will feature the DC premiere of Seven Last Words of the Unarmed by Joel Thompson alongside Carlos Simon’s Amen! and Courtney Bryan’s Sanctum. In conjunction with these pieces, the night has been curated in the African tradition of call and response to include original works by genre-defying Black artists such as Abby Dobson, Toshi Reagon, Troy Anthony, and Nona Hendryx.
The Gathering: A Collective Sonic Ring Shout was originally performed to a sold-out audience at The Apollo in Harlem, New York 2022.
This performance is co-produced by National Black Theatre and The Apollo in association with the John F. Kennedy Center for the Performing Arts and is an external rental presented in coordination with the Kennedy Center Campus Rental Office
MOTOR TAPES
Floor 3, Theater
Saturday, June 8 at 2 pm and 4 pm
Event Page
As part of the performance program organized by guest curator Taja Cheek for Whitney Biennial 2024: Even Better Than the Real Thing, Sarah Hennies presents Motor Tapes, a one-hour work for a large ensemble. Taking its name from neuroscientist Rodolfo Llinás’s characterization of the human brain as containing innumerable “tape loops” that run continuously within the mind, Motor Tapes is composed of densely overlapping patterns of sound, with musicians representing synapses that both fire independently and work together to achieve complex activities. Llinás’s description of this phenomena is strikingly musical: “The activity in the basal ganglia is running all the time, playing motor patterns and snippets of motor patterns amongst and between themselves […] they seem to act as a continuous, random, motor pattern noise generator.” “I am interested in the motor tapes theory,” Hennies has said, “because it suggests that alongside lived experience there is a mysterious biological basis for our inclinations, talents and identities.”
Motor Tapes will be performed by Lauren Cauley, Laura Cocks, David Friend, Madison Greenstone, Judith Hamann, Tristan Kasten-Krause, Hannah Levinson, Christopher McIntyre, Erin Rogers, Brendon Randall-Myers, Bill Solomon, and Nate Wooley.
Sarah Hennies (she/her; born 1979 in Louisville, KY; lives and works in Red Hook, NY) is a composer based in Upstate New York whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer and trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic ensemble music, but is also active in improvisation, film, and performance art. She presents her work internationally as both a composer and percussionist with notable performances at MoMA PS1 (New York), Monday Evening Concerts (Los Angeles), Warsaw Autumn, Ruhrtriennale (Essen), Archipel Festival (Geneva), Darmstädter Ferienkurse, Time:Spans (New York), and the Edition Festival (Stockholm). As a composer, she has received commissions across a wide array of performers and ensembles including Bearthoven, Bent Duo, Claire Chase, Ensemble Dedalus, Mivos String Quartet, Talea Ensemble, Nate Wooley, and Yarn/Wire.
She is the recipient of a 2024 United States Artists Fellowship, a 2019 Foundation for Contemporary Arts Grants to Artists Award, and a 2016 fellowship in music/sound from the New York Foundation for the Arts. She has received additional support from the Fromm Foundation, Mid Atlantic Arts Foundation, New Music USA, the New York State Council on the Arts, and the Creative Work Fund.
Ticket information will be released closer to the date of the event.
TILT Brass' Jonathan Finlayson, photo by Hunter Canning
South Cove Song
John P. Hastings
June 16, 4pm & 6pm
South Cove, Battery Park City
FREE, Drop-In
LMCC Event Page
South Cove Song is a site-specific music performance, featuring a brass ensemble, centered on the past(s), present(s), and future(s) of Lower Manhattan. The human interaction with the natural landscape and the built environment is questioned, reframed, and reassembled through sonic interventions in South Cove Park.
Performers:
John P. Hastings; Aaron Meicht, Music Director & Trumpet
TILT Brass
trumpet
Jonathan Finlayson, Sam Jones, Joe Moffett,
Kate Amrine
French horn
Blair Hamrick, Wilden Dannenberg, John Gattis
trombone
Chris McIntyre, Jen Baker, Terry Greene II, Zander Theiss
Presented in partnership with partnership with Battery Park City Authority.
John P. Hastings is an artist and musician based in New York City. He has had performances in rock clubs, art galleries, museums, public parks, and traffic islands throughout the United States and Europe. Recently completed work includes a multimedia performance based on John McPhee’s book, Annals of the Former World; and Forest Song, an outdoor music event centered on human and forest relationships. More information can be found on his website johnphastings.org.
TILT Brass - Quintettes
Sisters Bklyn
Part of Sam Weinberg 2024 Residency
Tuesday, June 18, 2024
8:00pm, $10-30 sliding scale
Sisters
900 Fulton St, Brooklyn, NY 11238
Sisters' Calendar
June 18 lineup
• TILT Brass
• Sam Weinberg solo
• Sam Ospovat with Peter Evans, Brandon Seabrook, and John Hebert
Part of stellar saxophonist/composer Sam Weinberg’s monthly 2024 Residency, TILT Brass samples contemporary work for the conventional brass quintet by composers such as Steve Martland, Reena Esmail, and presents the premiere of a new piece for brass and synth by TB Director Chris McIntyre. This is TILT’s first performance at the excellent bar & restaurant Sisters in Clinton Hill, Brooklyn.
TILT Brass Quintet
Wayne DuMaine, Hugo Moreno - trumpet
Chris McIntyre - trombone, Kyra Sims - horn
James Rogers - bass trombone & tuba
Other guests TBA
TILT Brass photo by Stefan Raduta
Lincoln Center - Summer for the City
20th Annual NYC In C
Terry Riley's In C
Lincoln Center Presents
Damrosch Park
Sunday, June 30, 2024 at 8:00 pm
Event Page
Terry Riley’s 1964 magnum opus In C is one of the twentieth century’s most radically influential works of music. Its 53 short melodies are designed for open-ended creative interpretation. Led by composers Nick Hallett and Zach Layton, the NYC In C, described as “the most vital, audacious and energizing performance… ever heard” by The New York Times, is a longstanding annual tradition that reflects our city's diversity, strength, and joy. Now in its 20th year, Lincoln Center presents the group’s largest concert, including vocalists, percussionists, guitarists, a full orchestra, electronics, and instrumentalists from around the world, backed by the drum beat of Brian Chase from Yeah Yeah Yeahs. The lineup (subject to change) also includes Ava Mendoza, Matana Roberts, Qasim Naqvi, Zoh Amba, Gelsey Bell, Angélica Negrón, Kaoru Watanabe, Aba Diop, and Adam Tendler. More names to come!