Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
American Composers Orchestra
DiMenna Center for Classical Music (New York, NY)
CoLABoratory Workshop
Kian Ravaei, Jordyn Davis, and Horacio Fernández
8.24.2026 10:30 AM
Featured Artists and Works:
Kian Ravaei, New Work
Jordyn Davis, New Work
Horacio Fernández, New Work
Anthony McCall
Solid Light, 1973, 2020, 2026
Sean Kelly, New York
September 11 – October 31, 2026
Sean Kelly exhibit page
"Swarm, 2026, McCall’s most recent work, premieres in the exhibition, draws on the rising significance of drones as an increasing presence in daily life. The installation is composed of two conical-light volumes that rotate slowly in opposite directions, one clockwise and the other counterclockwise, over a duration of fifteen minutes. Accompanying the mesmerizing visuals is a rich soundscape that gradually intensifies as a powerful auditory experience. The dramatic, progressive soundtrack serves as a continuation of the ongoing collaboration between McCall and Grubbs."
Swarm features site recordings of CJM on trombone.

Tuesday, October 20
Music at 6:00pm
Festival page
Free and open to the public with registration. Please don’t register multiple people under the same email address. REGISTER HERE
While admission to this event is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.
The Marginal Intersection Orchestra & Ekmeles performs large-ensemble works by Feldman and Brown, alongside a new MATA-commissioned work by Steve Long
St. Paul's Chapel, Columbia University, New York, NY
Feldman: Piano, Cello, and Three Clarinets
Brown: Available Forms I
Feldman: Intersection I
Feldman: Christian Wolff in Cambridge
Brown: Small Pieces for Large Chorus
Long: New MATA Commission
Feldman: Marginal Intersection
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Christopher McIntyre is a Brooklyn-based trombonist, curator, composer, music director, and educator. Known for his expansive engagement with the music of Julius Eastman, Chris serves as Director of TILT Brass (co-founder in 2003) and Co-Director and trombonist of Either/Or Ensemble. He specializes in ensemble work meshing improvisative & interpretive material as a player and as composer and director. McIntyre’s compositions have been performed at venues including MoMA, City Center, Gagosian, Miller Theatre, and The Kitchen. He regularly performs with TILT, Either/Or, and American Composers Orchestra, among many others. McIntyre leads a distinguished career as an independent concert programmer in New York (The Kitchen, MATA Festival, Ne(x)tworks, ISSUE Project Room) and music director (projects at MoMA and Guggenheim, leading Eastman’s Femenine with SEM & Talea Ensembles and Orchestra of St. Luke’s.) He teaches at Mannes School of Music at The New School and in the ACO’s Teaching Artist program, and is a member of ISSUE’s Board of Directors. cmcintyre.com
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[248 words]
Christopher McIntyre cultivates a wide-ranging career in music and the performing arts. An in-demand performer on trombone and electronics, McIntyre specializes in ensemble work meshing improvisative & interpretive material as a player and as a composer and conductor. Based in Brooklyn and bred in Minnesota, he composes for various media and instrumental forces, often employing creative systems suggested by the work of visual artists such as Serra, Smithson, and LeWitt. He serves as Director of TILT Brass (co-founder in 2003) and Co-Director and trombonist of Either/Or Ensemble. McIntyre has also led an active 22 year career as an independent concert programmer and producer in New York (The Kitchen, MATA Festival, Ne(x)tworks, and ISSUE Project Room.) He frequently performs in New York and Europe with TILT, Either/Or, SEM and Talea Ensembles, and American Composers Orchestra, among many others including numerous composer-led projects. He can be heard on recordings released by New World, Tzadik, XI, Mode, Braxton House, Edition Modern, POTTR, zOaR, and Non-Site Records. Since 2006, McIntyre has contributed to the broad revival of composer Julius Eastman’s music by creating several score realizations and leading performances by SEM, TILT Brass, Talea & Harlem Chamber Players (released on Kairos), Queens College’s Copland Ensemble, Philly’s Arcana NME, and members of Orchestra of St. Luke's. He teaches contemporary brass chamber music at Mannes School of Music at The New School and in the ACO’s Teaching Artist program, and is a member of ISSUE Project Room’s Board of Directors. cmcintyre.com
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