Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Zeena Parkins
right after
For two evenings in a row Zeena Parkins presents the debut of her new piece: right after, a dense array of crisp contours, sophisticated color studies and deskilled gestural marks for four loudspeakers and large ensemble, including: Christine Bard, Anthony Coleman, Erin Cornell, Miguel Frasconi, Christopher Mcintyre, Loren Parkins, Jim Pugliese, Josh Quillein, Ned Rothenberg, Jane Rigler, Jim Staley, Christopher Tignor, and Zeena Parkins on harps/accordion/synth/objects/composer
Graciously presented by Roulette Intermedium, Inc.
Commissioned by Roulette with funds made possible from the Mary Flagler Cary Charitable Trust
DARMSTADT presents ESSENTIAL REPERTOIRE at ISSUE PROJECT ROOM, October 22 - 26
Wed, Oct 22: Ne(x)tworks performs music of the New York School
Christian Wolff: Nos. 10 & 12 from from Exercises 1-14 (1973-74)
La Barbara, Frasconi, Kim, McIntyre
Morton Feldman: Projection 4 (1951)
Coleman, Kim
Earle Brown: selections from Folio (1953-54)
Four Systems
Frasconi, Burgon
November 1952
Coleman, McIntyre
December 1952
La Barbara, Kim
INTERMISSION
John Cage: Variations II (1962)
full ensemble
Ne(x)tworks
Joan La Barbara - voice
Shelley Burgon - harp
Miguel Frasconi - glass/electronics
Ariana Kim - violin
Chris McIntyre - trombone/electronics
Cornelius Dufallo - director
Special Guests: Anthony Coleman (keyboards)
Time Out New York says:
"Yes, we’re prone to hyperbole on occasion, but trust us when we say that Darmstadt’s Essential Repertoire series, which runs through Oct 26, is one of the most significant musical presentations of the season. In each concert, prominent interpreters explore an aspect of contemporary-classical music past or present; the series gets underway with a program devoted to music of the New York School—John Cage, Earle Brown, Morton Feldman and Christian Wolff—and no one illuminates this realm with more sympathy and conviction than the players of Ne(x)tworks."
MATA's Annual Benefit
join us as we honor
MEREDITH MONK
The Paula Cooper Gallery
521 West 21st Street
2nd floor
New York, New York
Featuring Performances by
Meredith Monk & Vocal Ensemble
with
string quartet led by violinist Todd Reynolds
Featuring selections from Ms. Monk's
Songs of Ascension
Additional works performed by members of
The M6: Meredith Monk Music Third Generation
8:00 pm Cocktails, Hors d'Oeuvres
8:30 pm Performance
9:30 pm Cocktails
A rare opportunity to hear the visionary composer/performer Meredith Monk perform her latest work, Songs of Ascension, in an intimate gallery space.
Songs of Ascension explores the spiritual, vocal, and physical notions of ascension across geography and time. Meredith Monk and her Vocal Ensemble will perform selections from this new work, accompanied by maverick violinist Todd Reynolds and his string quartet.
Purchase tickets HERE
A Power Stronger Than Itself:
A Celebration of the Association for the Advancement of Creative Musicians
Co-curated by George Lewis & Chris McIntyre
October 9 and 11, 2008
The Kitchen
512 West 19th Street, New York NY 10011
www.thekitchen.org
October 9, 8 pm
Muhal Richard Abrams: Trio for Violin, Clarinet, and Cello (2004)
Henry Threadgill: He Didn’t Give Up/He Was Taken (1990), for voice, piano, alto saxophone, and violin, with text by Thulani Davis
Leroy Jenkins: Wonderlust (2000), for chamber ensemble
Roscoe Mitchell: White Tiger Disguise (2006), for voice and string quintet, with text by Daniel Moore
Muhal Richard Abrams and Amina Claudine Myers, duo piano
October 11, 5 pm
Panel Discussion: The Meaning and Legacy of the AACM
With Brent Hayes Edwards, George E. Lewis, Nicole Mitchell, Amina Claudine Myers, Ted Panken, and Matana Roberts; Christopher McIntyre, moderator.
Following the discussion, Lewis will sign copies of A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008)
October 11, 8 pm
Nicole Mitchell: Waterdance (2003), for flute, cello, and percussion
Wadada Leo Smith: Loving - Kindness (1997), for clarinet/bass clarinet, cello, piano, trombone/tuba
George Lewis: Hello Mary Lou (2007), for chamber ensemble and live electronics, with video by Kate Craig
Ritual and Rebellion (2008), a collaborative multi-movement program by Matana Roberts and Nicole Mitchell, with Craig Taborn and Chad Taylor
About the AACM
Since its founding on the virtually all-black South Side of Chicago in 1965, the African-American musicians' collective known as the Association for the Advancement of Creative Musicians (AACM) has played an unusually prominent role in the development of American experimental music. The composite output of AACM members explores a wide range of methodologies, processes and media. AACM musicians have developed new ideas about timbre, sound, collectivity, extended technique and instrumentation, performance practice, intermedia, the relationship of improvisation to composition, form, scores, computer music technologies, invented acoustic instruments, installations and kinetic sculptures.
In a 1973 article, two early AACM members, trumpeter John Shenoy Jackson and co-founder and pianist/composer Muhal Richard Abrams, asserted that, "The AACM intends to show how the disadvantaged and the disenfranchised can come together and determine their own strategies for political and economic freedom, thereby determining their own destinies.” The AACM's goals of individual and collective self-production and promotion challenged racialized limitations on venues and infrastructure, serving as an example to other artists in rethinking the artist/business relationship.
The musical influence of the AACM has extended across borders of race, geography, genre, and musical practice and must be confronted in any nonracialized account of experimental music. To the extent that AACM musicians challenged racialized hierarchies of aesthetics, method, place, infrastructure and economics, the organization's work epitomizes the early questioning of borders by artists of color that is only beginning to be explored in serious scholarship on music.
The internationally prominent and ongoing example of the AACM expanded the range of thinkable and actualizable positions for a generation of experimental musicians, and challenged conventional understandings of American experimental music, obliging the recognition of a multicultural, multi-ethnic reality, with a variety of perspectives, histories, traditions and methods. These evenings of AACM music at the Kitchen, presented in conjunction with the emergence of George E. Lewis’s important new book, A Power Stronger Than Itself: The AACM and American Contemporary Music (University of Chicago Press, 2008) are intended to give listeners a notion of the diversity of musical thinking and cultural influence that has emerged from this groundbreaking artists’ collective.
For more on the AACM, see aacm-newyork.com and aacmchicago.org.
Phill Niblock 75th Birthday Celebration @ ISSUE Project Room
Wed. Oct. 8 - Works from the 60s and 70s
A Third Trombone (June 1979, recording revised 1994; 20:54),
Jon English, trombone, recorded; Chris McIntyre, trombone live
Four Arthurs (April 1978, 22 Min) Arthur Stidfole, bassoon, recorded;
Leslie Ross, bassoon live
Tenor (1969, 13 minutes) Martin Bough, recorded tenor saxophone
3 to 7 - 196 (December 1974, 23:40), David Gibson, cello, recorded
Waters Horn Quartet
Charles Waters - alto saxophone, clarinet
Matt Bauder - tenor saxophone
Nate Wooley - trumpet
Chris McIntyre - trombone
Monkey Town
718.384.1369
58 N 3rd St
(btw. Kent & Wythe)
Williamsburg, Brooklyn 11211
Waters Horn Quartet
Charles Waters - alto saxophone, clarinet
Matt Bauder - tenor saxophone
Nate Wooley - trumpet
Chris McIntyre - trombone
Art Under The Bridge Festival, DUMBO, Bklyn
Friday Sept 26
7pm Performance
Location: Water St & Adams St, DUMBO Brooklyn
Saturday Sept. 27
3:00 pm Performance
Location: "Green" Triangle @ Anchorage Place
(near Anchorage Place & Pearl St, DUMBO, Brooklyn)
Screening of Elise Kermani's film Jocasta, and experimental adaptation of Euripides' The Phoenician Women. Includes a live performance by a quartet of trombones featured in the film, with Steve Swell, Mike Seltzer, Kevin James, and CJM
MATA Interval 2.1
Music of the Dublin collective Grúpat
Performed by Object Collection and curator Jennifer Walshe
Doors Open at 8PM
MATA kicks off the second season of its bi-monthly series Interval with a program of music by the radical and enigmatic South Dublin collective Grúpat. Curated by Irish vocalist and composer Jennifer Walshe, Grúpat's greatest champion, Interval 2.1 features the collective's eclectic blend of textural and playful music, performed by Ms. Walshe and up-and-coming New York interdisciplinary group Object Collection
Grúpat collective
“So what is sound? Is it stillness? Does it shock flesh, the drums, the mind squealing? Is it the resolution or the tension? The silence or the not silent? So we sit or stand and even to hear the wildest anti-musical noise or nothing—it is still a creature in a jar. We want to free the creature. This is the point of everything you’ve heard before. The point, the sharpness of it, the moment where the idea takes shape and enters the flesh, drawing blood, opening bodies to air, not a penetration but a commingling, an embrasure, a knitting together, spillage and contamination—to set the creature free. Sound is the creature. Sound is a thing with feathers.” — Grúpat
For individual Grúpat Composer bios, please visit http://www.matafestival.org/interval/?p=31
Jennifer Walshe was born in Dublin, Ireland in 1974. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, Kevin Volans in Dublin and graduated from Northwestern University, Chicago, with a doctoral degree in composition in June 2002. Her chief teachers at Northwestern were Amnon Wolman and Michael Pisaro. In 2003-2004 Jennifer was a fellow of Akademie Schloss Solitude, Stuttgart; during 2004-2005 she lived in Berlin as a guest of the DAAD Berliner Künstlerprogramm. From 2006 to 2008 she is the composer-in-residence in South Dublin County for In Context 3. In 2007 she was awarded a grant from the Foundation for Contemporary Arts, New York. She frequently performs as a vocalist, specialising in extended techniques. Many of her recent compositions were commissioned for her voice in conjunction with other instruments, and her works have been performed by her and others at festivals such as RTÉ Living Music (Dublin), Donaueschinger Musiktagen, the Huddersfield Contemporary Music Festival, Composer’s Choice (Dublin), SoundField (Chicago) the Internationale Ferienkurse für Neue Musik Darmstadt, Stockholm New Music, and BELEF (Belgrade). Jennifer is also active as an improviser, performing regularly with musicians in Europe and the U.S.
For a more extensive biography of Walshe, please visit www.matafestival.org/interval/?p=32
Object Collection was founded in 2004 by director/writer/designer Kara Feely and composer/instrumentalist Travis Just as a collaborative theater-music performance group solidly rooted in the experimental tradition. Dedicated to new artistic work in hybrid forms, Object Collection constructs performances using a unique palette of live sound, composed music, and found text. Based in New York City, the group presents collaborative projects and curated series both at home and abroad using an expanding network of local and international affiliated artists.
Began during the 2007-08 season, MATA Interval is a bi-monthly series produced in conjunction with Issue Project Room (IPR). Interval features emerging composers and performers in programs developed and produced by young participants in MATA’s Curatorial Associate program. Presented at IPR in Gowanus, Brooklyn, the series is committed to presenting various streams of thought and aesthetics from the field, mapping areas in which the traditional and the experimental coexist.
Pete Drungle (piano, electronics), George Rush (upright and elec. bass), Fred Kennedy (drums), Chris McIntyre (trombone, Nord Lead2)
A new Brooklyn-based collective made up of composer/performers working in various avant and otherwise musical realms. In addition to leading their own groups, collaborative experiences include Slavic Soul Party!, Guignol, Michael Portnoy, Ronald Shannon Jackson, Ne(x)tworks, and Klezmer Madness, among many others.
Description
5/15 - Screenings at 7 and 9pm of Wild Combination, a new documentary about AR by Matt Wolf
5/16 & 17 - Songs and other things by Nick Hallett & Alex Waterman + Nat Baldwin + Rebecca Gates + Joel Gibb
Instrumental music:
5/16 - Tower of Meaning
Bill Ruyle (perc/conductor), Cornelius Dufallo (violin), Okkyung Lee (cello), Peter Hess (alto sax/clarinet), Shelley Burgon (harp), Matt Bauder (tenor sax/clarinet), Chris McIntyre (trombone)
5/17 - The Singing Tractors
Peter Zummo (Music Director/trombone), Bill Ruyle (perc), Ernie Brooks (bass gtr), Cornelius Dufallo (violin), Okkyung Lee (cello), Shelley Burgon (harp), Chris McIntyre (trombone)
More info at thekitchen.org
Dialogics: Ne(x)tworks at Chelsea Art Museum [gmap]
2008 Residency
Saturday, May 3, 2PM
Joan La Barbara - voice, Kenji Bunch - viola, Shelley Burgon - harp/elec, Yves Dharamraj - cello, Cornelius Dufallo - violin, Miguel Frasconi - glass/elec, Stephen Gosling - piano/synth, Ariana Kim - violin, Chris McIntyre - trombone
Music by Ne(x)tworks
Shelley Burgon - glass trees (2007)
Cornelius Dufallo - Concerto Grosso (2004)
Yves Dharamraj - Waiting for 950 (2007)
Joan La Barbara - Scatter*
Miguel Frasconi - Tasks & Objects (2007)
Chris McIntyre - Raster for quintet*
Ariana Kim - Patterns*
Kenji Bunch - Contingencies*
* = world premiere
Santa Fe Reporter Pick of the Day
CJM (trombone, laptop, composition), Chris Jonas (saxophones, composition), rosS Hamlin (elec. gtr, bass gtr, compositions), J.A. Deane (bass flute), Katie Harlow (cello), Milton Villarrubia (perc)
The Kitchen
Friday, April 11, 8PM
[gmap]
Music of Julius Eastman and Lois V. Vierk
Julius Eastman
Stay On It (full ensemble)
Piano 2 (Joseph Kubera, piano)
Lois V. Vierk
River Beneath the River (string quartet)
Into the Brightening Air (string quartet)
Joan La Barbara - voice, Kenji Bunch - viola, Shelley Burgon - harp/elec, Yves Dharamraj - cello, Cornelius Dufallo - violin, Miguel Frasconi - glass/elec, Stephen Gosling - piano/synth, Ariana Kim - violin, Chris McIntyre - trombone
Guest:
Danny Tunick - percussion
Dialogics: Ne(x)tworks at Chelsea Art Museum [gmap]
2008 Residency
Saturday, April 5, 2PM
Joan La Barbara - new work
Miguel Frasconi - new work
Alvin Curran - Selections from The Alvin Curran Fake Book
Joan La Barbara - voice, Shelley Burgon - harp/elec, Yves Dharamraj - cello, Cornelius Dufallo - violin, Miguel Frasconi - glass/elec, Stephen Gosling - piano/synth, Chris McIntyre - trombone
PROGRAM:
Either/Or
Richard Carrick - Towards Qualia [15 min]violin, cello, piano, saxophone, flute, cimbalom/percussion
Julius Eastman - Tripodinstrumentation TBD
Andrew Byrne - White Bone Country [15 min]piano, percussion
Newspeak: Missy Mazzoli - In Spite of All This
Voice, Violin, Cello, Clarinet, Synth, Electric Guitar, Drumset, Vibraphone
David T. Little - sweet light crude
Voice, Violin, Cello, Clarinet, Synth, Electric Guitar, Drumset, Vibraphone
Oscar Bettison - Breaking & Entering (with aggravated assault)
Violin, Cello, Clarinet, Synth, Electric Guitar, Drumset, Percussion [junk metal]
INTERMISSION
combined ensemble
Sean Griffin - 2008 MATA Commission premiere
2 vocalists, 3 percussionists, cello, Electric guitar, Synthesizer/Piano
PROGRAM (1-hour each):Al Margolis - What Makes a Sound? (argument)
Stefan Moore - Three Steepings OR In::Out/Out::In
Michael Schumacher - Unintending
Amnon Wolman - Low Ground Clearance
Carl Stone - Kantipur
PROGRAMAaron Gervais - Culture No. 3 (2006)
fl/pic, cl, hn, trb, pno, perc, vn, va, vc, db
Jennifer Fitzgerald - A Thousand Machines (2007)cl, vn, pno
Nico Muhly - I Know Where Everything Is (2007)fl, cl, vn, cl
Judd Greenstein - At the end of a really great day (2007)fl, cl, vn, cl
Ziboukle Martinayite - 2008 MATA Commissionfl, cl, ob, bsn, trb, hn, pno, perc, vn, va, vc, db
Doug Henderson - The Nature of the 102nd Thing (of 10,000)Zeena Parkins/Doug Henderson - Polyphonic Projections
Diapason Gallery [http://www.diapasongallery.org/]
PROGRAMLisa Bielawa - Double Violin Concerto
NY PremiereColin Jacobsen, violin
Carla Kihlstedt, violin
Ken Ueno - On a Sufficient Condition for the Existence of Most Specific HypothesisNY Premiere
Ken Ueno, throat singer
Alejandro Rutty - The Conscious Sleepwalker LoopsNY Premiere
Derek Hurst - CladesWorld Premiere
Firebird Ensemble
Program:Doug Henderson - The Nature of the 102nd Thing (of 10,000)
Zeena Parkins/Doug Henderson - Polyphonic Projections
Co-producer:Diapason Gallery [http://www.diapasongallery.org/]
Orchestra Carbon performs Quarks Swim Free
Elliott Sharp and Orchestra Carbon
10pm, $10
This is the latest of E#'s algorithmic compositions for large ensemble based on genetic models, bird flocking drum choirs, and recombinant RNA.
The Stone E 2nd St & Ave C NY, NY